In a City with only one public library, the community is always searching for new ways to spread literacy and reading across our city.

In the name of this great quest: Little Free Libraries have popped up across the City, Chapman purchased and tried to preserve the Liberia Rubén Martinez bookstore (now the Centro Comunitario de Educación), and most recently a non-profit called Community Engagement and CSUF GCAC resident artist, Sarah Rafael Garcia opened a brick-and-mortar for her exciting Libromobile project.

To add another page to this story: the Santa Ana College Mural Team, 4th Street Market and Downtown Inc. recently partnered to create a mural that you can check library content out of.

The idea was shared with Santa Ana College Arts Department and Downtown Inc. by a shared contractor who encountered a mural library in a South American subway station. He sent the picture back home and Downtown Inc. and SAC connected the dots between 4th St. Market owner Ryan Chase and SAC Mural Team professor, Darren Hostetter.

Hostetter ran a contest for his students to design the best mural library concept and then painted the final product, including a stenciled QR code, or "digital" part of the mural.

This project was overseen by myself (Ryan Smolar), inspired by our downtown social media star (who likes to remain behind-the-scenes), executed by Darren Hostetter and the SAC Mural Team and made possible by Ryan Chase and the 4th St. Market. The inner-workings of the mural were advised by Santa Ana Public Librarian, David Lopez, who also told us you can apply for a library card to rent digital materials without even visiting the library. This means that the wall is not only a distributor of library content, but a library card dispensary as well.

​The 4th St Market library mural connects you directly to books and content about food and cooking, and we hope murals like this will pop-up around town and connect you with other types of material whether that be art, music, science or sports. If you want a digital library mural on your public-facing wall, please contact us.

Story by Ryan Smolar

Where can you obtain the PASE card?
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• At the Consulate of Mexico in Santa Ana, California.
• With the participating partners.

            
Who is the target population of the PASE Program?

Students registered in any School District in Orange County from grades 1 to 12. 
The PASE card is free of charge and you can download it at the web site.

Santa Ana artist Carlos Balam announced on Facebook to devastated artists, neighbors and fans: "today the city of Santa ana stop by my space to say that they received a complaint about my writing in the garage door "stop the war " n that I must erased it [sic]"

Over the last year, Balam's garage has established itself as a neighborhood focal point of revolving political slogans and art during this time of intense turmoil and tension. The most recent, and arguably most innocuous slogan, "Stop the War," received a complaint which prompted the City of Santa Ana to request Balam to "take it down" according to several Facebook posts made by him on May 18th.

Ironically, a black and white photograph of Balam's previous garage-adorning slogan, "Tell your Children They Can't Drink Oil," hung in the Bowers Museum just a few weeks ago in Federico Medina 's "Life and Culture in The Golden City", a public art show that was funded by the same city who now is asking Balam to censor his neighborhood garage murals. 

This situation prompts some interesting questions like -- Who is Carlos Balam? Can he muralize his garage? and What are the roles of the City and public in this whole mess anyway?

The first time I met Carlos Balam, he was hanging out in front of his garage with an iguana perched on his shoulder, painting a memorial portrait like you'd see on Calle Cuatro during Noche de Altares. 

Even though I was just walking by, and Balam was just standing in his driveway, the inviting space between a sunken ship and his front-yard banana tree prompted a conversation. "I'm painting this portrait in honor of a friend's Tio," Balam offered. "I painted the Lavanderia here on the corner too," Balam added, pointing to the seascape-covered coin laundry overshadowing his casita and art studio.

I adore the Lavanderia and was moved as Balam pointed-out kernels of neighborhood history captured in the Lavanderia mural: everything in it is a symbol. "See this fish?" he said, pointing to an oddly-colored carp, "a kid in the neighborhood was from Germany, so he painted this fish Germany's flag colors."

The garage door erasure comes on the heels of another incursion of Balam's self-directed neighborhood beautification efforts: the Lavanderia was sold recently and parts of Balam's mural suddenly disappeared. You can see a missing panel on Santa Ana Blvd. and a green parrot, a familiar symbol of Santa Ana, now floats frozen halfway between startled surprise and stuccoed oblivion. 

However, Balam is most famous for his magnum opus several blocks away in the Logan neighborhood on the side of a liquor store near La Chiquita restaurant. This mural honors Latino veteran heroes from the neighborhood, among them Sam Romero who famously requested to be painted "...high up so the dogs don't urinate on my head." Balam gives speeches and tours here on veteran days of remembrance as a sort of volunteer community storyteller. As the keeper of this community's death toll and contributions to war, you start to understand the plea on Balam's garage is more thoughtful and sincere than a passerby might first surmise.

Since the City of Santa Ana doesn't have a specific ordinance tackling murals, one might look to the City's On-Premise Signs Codes or Sign Regulations to dictate what types of writing and graphics are permissible on structures like garages. This stringent document creates orderly commercial districts and neighborhoods, but there are two problems when applying it here:

(1) Balam's hacienda art studio demarcates the wild mixed-use outskirts of downtown where a little nonconformity is a comforting sentry of neighborhood authenticity, connectivity and flavor. 
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(2) The City's sign regulations and codes are being flagrantly violated every which way across Santa Ana by like everyone and their mother (from taco trucks to brick-and-mortar businesses to city-supported non-profit institutions).  So, the enforcement here is definitely grey-area enough to request a deeper review by fans and friends of art, self-expression and neighborhood character.

The City

The City's role here is pretty simple: their approach to private property murals is to enforce based on complaints. At least one person complained about the "Stop the War" mural and so the City showed up and applied the bureaucratic indifference of the law on the books. Further review could be prompted by the appeals of supporters of Balam's mural and possibly, changes to how Balam approaches his mural-making (see below).

The Artist

Balam has complied with the City's request and painted over his garage (for now, at least). From my own surmising, he has a few choices moving forward:

(1) he could quietly review the city's sign rules and create a work that complies, which may require a work that evades controversy, and hence doesn't draw complaints
(3)  he could counter the complaint(s) the City received with letters of support and request a further review of his situation by the Arts Commission, high-level planning department staff and/or his City Council representative
(3) he could help champion a mural ordinance or adjustment to the sign ordinance that clarifies and enhances his and others' abilities to create private property murals 

The Public

"Who is saying they are going to erase it? Were u cited? Please don't erase it." urged City of Santa Ana Arts Commission Vice Chair Sandra Pocha Pena on Balam's Facebook post.

It's clear that while Balam's garage had its critic(s), it also has its champions:

"That SUCKS," remarked another Santa Ana muralist, "Damn, Really!!!" exclaimed another on the post. 

Hopefully, these supporters will write letters to counter the complaint filed with the city and provoke a review from higher-ups at the planning department or by the Arts Commission or City Council. 

Carlos Balam has been talking for some time about his next mural: it's about a Latino astronaut meant to show the kids of Santa Ana they can do anything.

​As for Santa Ana murals in general, a bigger discussion on murals has been lingering for a long time and might be taken up by artists  as several great evolutions have occurred:

• Articles emerged to preserve Chicano Murals (Enough's Enough: It's Time to Save Orange County's Chicano Murals)
• Rise of the SAC Mural Team (Santa Ana College Revives its Mural Program)
• Arts Commission funded public bathroom murals and parking garage murals
• Inspiring the Arts grant helped fun the Santa Ana Artist(a) Coalition's Art Alley. They are now working on several murals with the Love Santa Ana initiative
• MARCAS Contemporary created a Santa Ana Mural Initiative 
• Ryan Chase has commissioned several murals on the East End area of downtown

With all of this great energy, we're sure to see more murals, more public discussion and more support and clearer guidelines articulated. The writing is on the wall.

Story by Ryan Smolar

Tonight at 6:30pm starting at CSUF GRAND CENTRAL ART CENTER:

Join Downtown neighbors for a walk around Downtown Santa Ana in honor of Jane Jacobs, author of "The Death and Life of Great American Cities” and pioneer of the idea that cities are for people.

Every year since 2007, neighbors in cities across America unite the first week of May to walk in honor of Jane Jacobs' contributions to walkable, people-centric cities.

Attendees to this event are invited to share their neighborhood insight and expertise as we stroll along the Wellness Corridor Path created by Latino Health Access and City of Santa Ana starting in front of CSUF Grand Central Art Center (125 N Broadway) at the Chiarini fountain.

Please wear bright clothes and comfortable shoes. At the end of the walk, we will head to Taquerias Guadalajara for Taco Tuesday!

Learn more about Jane's big ideas for cities:http://janeswalk.org/information/about/jane-jacobs-ten-big-ideas/

EVENT PAGE: https://www.facebook.com/events/1896605170615733/​
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Then, starting this Friday at The Frida Cinema:

From IFC Films and Sundance Selects comes Citizen Jane: Battle for the City, director Matt Tyrnauer’a timely tale of what can happen when engaged citizens fight the power for the sake of a better world. Screens daily May 12 - 18; showtimes below.

Arguably no one did more to shape our understanding of the modern American city than Jane Jacobs, the visionary activist and writer who fought to preserve urban communities in the face of destructive development projects. Tyranuer’s (Valentino: The Last Emperor) stirring documentary vividly brings to life Jacobs’ 1960s showdown with ruthless construction kingpin Robert Moses over his plan to raze lower Manhattan to make way for a highway, a dramatic struggle over the very soul of the neighborhood.

SHOWTIMES
Friday, May 12 – 5:30pm, 8pm
Saturday, May 13 – 11am, 1:30pm, 5:30pm, 9:30
Sunday, May 14 – 11am, 5:30pm, 8pm
Monday, May 15 – 5:30pm,8pm
Tuesday, May 16 – 5:30pm, 8pm
Wednesday, May 17 – 5:30pm ONLY
Thursday, May 18 – 5:30pm, 8pm

ADVANCE TICKETS
https://boxoffice.printtixusa.com/fridacinema/movies
“A fascinating documentary captures the showdown, half a century ago, between the activist Jane Jacobs and the Trumpian urban planner Robert Moses: a fight for the future of New York.” – Owen Gleiberman, Variety

“It’s a story that needs periodic retelling, and Mr. Tyrnauer has heightened the human drama by focusing on Jacobs, an improbable David to Moses’s Goliath.” – Joe Morgenstern, Wall Street Journal