DOWNTOWN is a collaboration of artists from Machine Comix that showcases Downtown Santa Ana in the way they know best: through amazing art and storytelling. This comic book really is a celebration of graffiti art and the creativity that flourishes in DTSA. It takes place at the Art Walk, which is held every first Saturday of the month, and also features murals done by local artists. Through vivid images and a unique narrative, readers are taken on an adventure to explore the creative mind of Eddie ‘BURN’ Morales, the artist who is called to protect his neighborhood from ‘The Consortium.’
This comic book is a reminder that we all have the power of creativity, a dynamic and penetrable force that can be used for good. It encourages artists and creatives to be unapologetically themselves, and to discover authenticity. DOWNTOWN is an inspiration for all artists who want to express their individuality, and it is a motivation especially for local artists in Santa Ana to embrace innovation.
Pick up your copy and show your support for local artists!
DOWNTOWN can be found at http://machinecomix.com/
MEDIA CONTACT: Mary Castillo
WHAT: Boca de Oro (Mouth of Gold) Festival of Literary Arts & Culture returns for its fourth year with free writing and arts and crafts workshops, panel discussions, author talks and performances throughout Downtown Santa Ana. Each year, nearly 7,000 attendees come to Boca de Oro to cultivate and celebrate artistic literacies. This year, guests will have access to a dedicated Boca de Oro app and a complimentary trolley to travel to the various festival sites.
Highlights of the 4th Annual Boca de Oro Festival include:
WHO: Zara Raheem, author of The Marriage Clock - named a "must-read book of the summer” by Cosmopolitan, POPSUGAR, Bustle and Book Riot – will be this year’s keynote speaker. Festival attendees will also have the chance to meet and hear from Cuban Poet Susannah Rodriguez Drissi, local Author Marytza Rubio, founder of the Makara Center for the Arts and Hugo award-winner Foz Meadows.
WHEN: Saturday, March 7, 2020 from 10 a.m. to 10 p.m.
WHERE: Locations throughout Downtown Santa Ana
Facebook at www.facebook.com/bocadeorofest
ABOUT BOCA DE ORO FESTIVAL OF LITERARY ARTS & CULTURE
Boca De Oro Festival of Literary Arts & Culture, “mouth of gold” curates diverse and evocative writers, poets, storytellers and artists who present their work through literary readings, workshops, panel discussions, poetry slams, spoken word styles and visual art experiences. A Fringe of the March Downtown Santa Ana Art Walk, Boca de Oro is a gift from Community Engagement with Santa Ana’s small businesses through the Santa Ana Business Council in partnership with Santa Ana Unified School District and the City of Santa Ana.
By Mary Castillo
Poetry, literary readings, documentaries, music, dance, and art rang out from galleries, restaurants, bakeries, alleys, and plazas at the 3rd Annual Boca de Oro Mouth of Gold Festival of Literary Arts & Culture with over 150 Authors and 2,500 Youth Elevating the Arts. Literary lovers, families, students, teachers, and artists braved the rainy day for the annual event on Saturday, March 2nd in Downtown Santa Ana. Boca de Oro is the only literary festival of its kind in Orange County. It celebrates the written word in all its incarnations, invites community participation and includes not only visual and performing arts but also showcases the talents of our local Santa Ana Unified School District (SAUSD) youth.
“Every year this event grows to include all colors, genders and ages to show that Orange County is an interwoven tapestry of individuals, groups and communities,” said Madeleine Spencer, festival co-founder and consultant to Santa Ana Business Council. “In a world where it appears we’re polarized and cut off from each other, Boca de Oro creates the space where we share our stories and understand how interdependent we are individuals in a human family.”
More than 50 events took place in and around Downtown Santa Ana with a series of readings curated by Marcus Omari of Poetic Reform Party and SAUSD. For local residents and visitors, Boca de Oro transformed their perception of OC’s literary and arts scene and the downtown area.
“Having grown up in Santa Ana and being very familiar with the downtown district from the '70s through the '00s, I am thoroughly amazed and thrilled at what has transpired. There hasn't been anything like this in Orange County in my lifetime,” said Doug Lord, instructor, Villa Fundamental Intermediate School.
A YEAR OF FIRSTS
One of the many “firsts” for this year’s Boca de Oro was SAUSD LITCON 2019, an annual school district literary contest. Winners of the competition took to the stage at the Frida Theatre to share their award-winning poems, short stories, and multimedia productions. The reading was hosted by Long Beach native and spoken word ambassador, Philosophy. Students astounded the audience with their original, thought-provoking and insightful works.
"The artwork created by these students reflects the high caliber of arts education that Santa Ana Unified students are receiving on a daily basis," said SAUSD Board President Valerie Amezcua. "We are very proud of all of our students for participating in the contest."
The literary arts contest and student participation at Boca de Oro is a dream fulfilled for Jason Crabbe, English Language Arts Curriculum Specialist, and Robyn MacNair, Visual and Performing Arts Specialist, at SAUSD. But they assert that this is just the beginning.
Crabbe, who taught for 16 years and is a published poet, feels an emotional connection to the literary arts festival. "Sometimes it takes a teacher to bring out the writer or poet or creator within the student," he said. "The literary contest gives them a goal and an outlet where their work matters."
The importance of linking the District's literary arts contest and festival with Boca de Oro and SAUSD's Almas Sonadoras performing arts event, stimulates self-advocacy in future creative leaders to find and assert their unique voices.
For three years, the District has collaborated with organizers of Boca de Oro to bring student dancers, musicians and vocalists to perform in Downtown Santa Ana. Through the Literary Arts Contest, this year included creative writing, poetry and new media presentations as well as Dancing with Brushes, in which District teachers and students lead art-making projects.
“I couldn’t be more thrilled at the collaboration of love to pull off this huge arts and culture celebration between the businesses, downtown, and SAUSD,” said MacNair. “Students and their families were able to witness a true pipeline for what they could grow into. The ripple effect lives on beyond this event.”
The Orange County Center for Contemporary Art hosted this year’s keynote, Author Justin Torres who read from his novel, We the Animals. Torres spoke candidly of his family’s reaction to his book and the film adaptation as well as his incredible journey as a published author.
Orange County Center for Contemporary Arts was also the setting for an extraordinary experience, WOMEN: A TAPESTRY OF WORDS BETWEEN SYRIA & IRAN, as curated by Lady Narrator. As the Syrian revolution continues in its seventh year, tensions with Iran grow, further hindering the relations between the citizens of those two countries. Four women poets broke that tension with their love and creation of poetry. Because there are so few female poets from Syria and Iran, the audience was witness to the emergence of a renaissance as Lady Narrator, Azin Mafi, Mouminat Damer, and Sheila J. Sadr shared their intensely personal and moving works.
“The poet said her grandfather loved citrus. She wasn’t able to have closure because he died 7,000 miles away. But he grew citrus and when she peels back the skin of a clementine, the spray of the fruit touches her face and she said it’s her grandfather kissing her goodbye,” said Annabella Pritchard, chair and curator for the Festival’s keynote address. “She says the dead live in the things that they once loved and we who survive must go to those things they loved, and we will see their faces.”
Attendees of CHICANA: HER STORY were the first to screen a mini-documentary, Here to Stay about the life of Santa Ana Artist Marina Aguilera. The director Jenny Lynn and Aguilera were on hand to talk about their work. The session was moderated by Manny Escamilla of the Santa Ana Public Library.
“This was the first Boca de Oro I was able to participate in, and I am grateful that Chicana art in Santa Ana was not only showcased but highlighted as one of the main events to attend,” said Lynn. “For the first time in a long time, women of color held space in the Historic Santora Building and celebrated La Cultura, shedding light on a history that was never adequately represented and instead erased. Personally, I believe it shows the demand to document and celebrate this history and narrative voice in the community.”
The festival came to a joyous conclusion when Santa Ana Sites brought Banda Magda to The Copper Door. Attended by festival volunteers and fans, Magda invited the audience to complete the performance by singing, whistling and clapping.
“Watching Banda Magna at the Copper Door was a great fusion of various musical ‘voices’ - vocal, instrumental, and percussion-and a great way to end our night,” said Mathew Cruz, Avid Arts Advocate and Retired Principal from Cesar Chavez High School.
But echoes of last year's event at Boca de Oro are moving toward this year’s event scheduled for Saturday, March 7, 2020. We are excited to invite you back to enjoy and participate in workshops, disussions, readings, visual and performing art, and upcoming Book Fair in this burgeoning festival.
Stay in touch Boca de Oro’s community of presenters, sponsors and hosts by joining their newsletter at www.BocadeOro.org.
Grand Central Art Center and X Artists’ Books presents
Cog•nate Collective: Regionalia
Reception: Grand Central Art Center will hold an event to celebrate the publication of Regionalia, co-hosted by X Artists’ Books on February 1, 2020, from 6-7 pm.
Regionalia is a bilingual catalogue that showcases the research projects, public interventions, and community conversations created by the Cog•nate Collective’s artist residency at GCAC. This book is the product of a multi-faceted collaboration done by students, researchers, and members in the community of Santa Ana. It explores issues of immigration, identity, and agency. Designed by Stephen Serrato of ELLA, the publication contains texts by Cog•nate Collective, Christian Zúñiga, and a dialogue between the artists and Karen Stocker. Exploring the community at ordinary sites, Cog•nate Collective was able to develop relationships with individuals and organizations to understand the issues, struggles, and achievements of the community. Regionalia offers an in-depth perspective of not only larger, institutional social issues, but also insight from individuals, giving them a voice and creating a wider, cultural dialogue.
The Social Neighborhood Art Project (SNA) was designed as an extensive approach to engage social art projects, workshops, and installations as a collaborative research project. Led by Karen Stocker, an anthropology professor at California State University, Fullerton, students in her Culture and Education course participated in the SNA project to develop an artistic intervention in a public space. One of the goals of this project was to show that community sites, such as a market or a swap meet, offers educational and cultural value that cannot be typically found in a classroom. The SNA project was an opportunity to expand and develop understandings of art in the context of social justice and politics within Santa Ana. This book is an extraordinary showcase of the culture of Santa Ana, bringing the experiences, social disparities, achievements, cultural values, and social struggles to the forefront of discussion.
X Artists’ Books, founded by Keanu Reeves, Addy Rabinovitch, and Alexandra Grant, is a small publisher of artist-centered books that highlights the values found in community, dialogue, and creativity.
Artists: Cog•nate Collective (Amy Sanchez Arteaga and Misael Diaz)
Authors: Cog•nate Collective, Christian Zúñiga, Karen Stocker, and John D. Spiak
Designer: Stephen Serrato / ELLA
Grand Central Art Center: 125 N. Broadway, Santa Ana, CA 92701
Article by Breanna Policar
Photo from: https://www.xartistsbooks.com/
Our beloved Joesph Hawa passed away the morning of June 27, 2019 surrounded by family and the love of all his friends, artists from the Village and the Santora Building of the Arts.
Joseph moved to the United States from Lebanon in 1996 he attended the American Academy of Art in Chicago and also studied art at Northwestern University of Illinois. After studying in Chicago he relocated to Santa Ana with his mother in the late 1970’s.
Most of us who were lucky enough to share time, collaborate and be inspired by him got to know him from his 20 + years as a resident artist in the Santora Arts Building. Joseph has been an active member of the artist community in Santa Ana since the mid 1990’s.
Joseph’s lifetime art works capture light, color and feelings. He loved nature, animals and the beauty of the naked woman’s body as well. He had a loving and kind heart and his joy for life was evident in all he did.
The Santora will never be the same without him. It is definitely the end of an era. He leaves us countless memories of late night conversations about philosophy, life, politics, art and joy!
In the early days you could always find Joseph at Memphis in the afternoons having a meal and he also loved his bowl of vanilla Ice Cream at the Gypsy Den. If you ran into him he always asked you to sit down and join him, he listened and he shared whatever was on his plate. He also loved to listen to classical music for hours, mostly while he painted.
Joseph was a mentor to many and a friend to all. He has touched so many lives along the way. He believed in us, he cheered us, he challenged us to be better artists, to create community, to care for each other. He said to me once “I have many children; they are all over the world, you are one of them Baby” His love and light had no boundaries.
It is a sad day in the village for all, but make no mistake that Joseph’s presence will forever last in the walls of the Santora and in the hearts of all he touched.
We love you forever Joseph! To Infinity and Beyond my dear friend!
July 6th Artwalk Celebration of Life:
Promenade gathering at 7:30PM
Bring Flowers, Pictures and Candles to Share
Some quotes by Joseph:
“The most important work of a painting is to capture light.”
“Paint what you feel, not what you think you should.”
“Art is not brush and paint, It’s what we think … transferred
to the canvas.”
“Nobody does White on White like me”
Tribute by Alicia Rojas, Community Artist
Photos provided by Kathie Warren, Souls of Santa Ana and Alicia Rojas
While Spring has called many Southern Californians out to nearby scrublands to observe Superblooms, we can stay right here in Santa Ana and find a world of color and beauty thanks to our vibrant arts community. But we can't just sit back and appreciate the arts, we have to support them and this month brings several exciting opportunities to engage local artists in community projects that give them visibility and enshrine them as part of our local arts legacy.
Artists Village Banners Project
The Santa Ana Artists Village is home to dozens of galleries, artist studios, arts institutions and arts events like the monthly DTSA First Saturday Artwalk. If you've ever walked the Promenade or adjoining streets, you may have noticed around 40 street pole banners demarcating the area. Dowtown Santa Ana is refreshing these giant outdoor banners and local artists have the opportunity to submit their work to be on display outdoors. Please visit the Artists Village Banners Project for details and to submti your design. If you have questions, please contact the project curator, Andrea Harris.
OC Edge Show at OCCCA
In May, Orange County Center for Contemporary Art (OCCCA) is excited and honored to present O.C. EDGE, the premier exhibition of Visual Artists from the Santa Ana Arts Registry. Local artists who have joined the Santa Ana Artists Registry are invited to submit one piece each for the show which runs the month of May in one of DTSA's most esteemed contemporary galleries. Download the submission information here and you can follow up with OCCCA Executive Director Jeffrey Frisch for more information about participating.
Investing in the Arts Grant
The City of Santa Ana Arts & Culture Commission will be awarding a total of $70,000 to support ambitious projects that embrace experimentation and focus on process, as well as emerging artist essentials, such as materials, supplies, or business and website fees. Learn more about the grant process (including mandatory information meetings!) on the City's Investing in the Arts Program Page or contact the grant administrator, Tram Le.
Story by Ryan Smolar
Photo of Artist Village Banner specs by Andrea Harris
Photo of Dino Perez by Matthew Martinez
All other artwork provided by event/program producer
Somewhere I have Never Traveled
Katelynn Mills + Child Workshop
April 6th- May 18th
Opening Reception: Saturday, April 6th 6-9pm
Artist Talk and Art Workshop to be announced
The Painter’s Room is proud to present “Somewhere I Have Never Travelled”, an exhibition of
paintings and drawings by Katelynn Mills + Child Workshop. Engaging with a highly generative
mode of creating, Katelynn Mills has applied her systems theory, The Cybernetics of Painting, to
her studio practice and approach to education. For this show, Somewhere I Have Never
Traveled,” she takes images from the history of painting, and runs it through a system of
organization in which the picture is divided into ~50 to 70 cells. That system is then run through
a second ‘system’: children. Children contribute a strong element of indeterminacy and chance
due to their wildly different interpretations of color and scale as they work on their respective
cells. The final paintings, which take 1-3 months to complete by a workshop of 5-13 year-olds,
are then assembled after many hours of mystery and happy confusion. Adding a sort of
feedback loop to this exhibition, Mills will also be showing select closely observed drawings of
her kindergartner’s paintings as well as other works made outside the workshop which have
influenced, and been influenced, by the workshop pieces.
Though the theory behind this project takes on a hard, critical edge, the viewer may not readily
perceive it upon first viewing. It is through the poetic nature and “serious play” of the process of
making these paintings that the ‘child-magic’ within each of us may be activated. Further, this
project speaks to the significance of trusting in the unpredictability of the creative process. It
requires an abundance of Good Faith for such young students to blindly follow the Teacher’s
instruction: work very hard and accurately on a strange, abstract composition for months on end
without any real perception of what all that focus will amount to. Similarly, it takes a great leap of
faith for an instructor to lead a group of over 100 children in such a state of organized chaos.
This project reveals the joy and beauty of traveling beyond the pre-determined.
Santora Arts Building Basement 207 N Broadway Santa Ana CA 92701
The Painter's Room is run by IPA DTSA | IG: @thepaintersroom
The sun rises and three hundred thousand people, riled from their sleep, bring life and color to the streets and avenues of this city in the heart of Orange County, California. Santa Ana, on a mere 30 square miles, boasts a vibrantly multifarious history. And yet, in this city of shifting demographics, seemingly endless restructuring and gentrification, you run the risk of missing the depth of that history. And it is here that the role of art as an engine for conscious empowerment and change is made evident. You may, for example, walk downw the streets of Downtown, and catch, on the side of a building, or tucked behind a trendy eatery, perhaps even emblazoned onto an electrical box, the earthy tones of a mural by “The Heavy” art collective led by Bud Herrera and Kimberly Duran. You will notice the intricate color combinations elaborated using aerosol and paint. You may even be attracted by the playful contradiction between muted earth tones and vibrantly colorful hues which work so well in combination. Perhaps it is the subject matter that draws your eye, that synthesis of cultural icons that transgress the racial and national divides of this hybrid city. Frida Kahlo’s likeness dripping with indigenous beauty and articulation. The beautiful walnut skin tones of revolutionary women carrying the symbolic weapons of a forgotten revolution begging to be remembered, peaceful Buddhas floating through space or the reimagined Catrina, with an Hindu Ajna, or third-eye, agape, looking out beyond the confines of the canvas. Whatever lured your eye to this, their canvas, it has put you face-to-face with art that is in a dialogical relationship with its community.
The Heavy has created over one hundred murals in Orange, Los Angeles and San Bernardino Counties and has even collaborated with and sponsored artists in Mexico City, thereby becoming one of the most prolific artist groups in the area with a formidable body of work. Both artist’s share close ties to the communities wherein they work. These are ties built over decades of personal experience growing up in those communities, and working with organizations, both social and educational, that make up the human tapestry of populations in flux. “They are changing the panorama of the city” a Univision anchor said during a story highlighting their work in the community. However, their recent notoriety belies a history of struggle and hard fought success, both as individual artists in two separate cities and then as the collaborative duo who’ve garnered attention for their murals and financial support they’ve received from the city to continue their work. The Heavy Art Collective serves as an example of the dedication, inventiveness, and activism of Chicanx artists in Southern California. Look into the eyes of the children who’ve been privileged enough to hear them speak and you will see how years of artistic experience and success, when used to connect with the community, are already inspiring future artist and activists. What does the future hold for this art’s collective? If you ask them, they will say that it will benefit the community, a project that will engage the imagination of future generations, something that will revive the hidden histories of the city, that will acknowledge the multiple voices of the people who fight, live, laugh, love, struggle, and thrive in our beautifully contested communities.
The Painter's Room is pleased to announce the inaugural exhibition of paintings by the Independent Painter's Association (IPA DTSA), a group of nine artists who will be running the space in the basement of the historic Santora Arts Building.
The exhibition space was previously Basement Projects, run by local artist Christian Ramirez from 2016-2018. Ramirez has now expanded and updated the mission of the space, teaming up with Vonn Sumner, a painter and professor of painting & drawing at Fullerton College, as well as several other painters including: Julia Bass, John Brosio, Randall Cabe, Gabriela Castillo, Annie Compean, John Scane, and Jason Umfress. These painters are diverse in background, experience, and artistic sensibility, but they all share a commitment to the history and contemporary practice of painting. The group meets in the space regularly for discussions, critiques and debates, thus the name of the gallery: The Painter’s Room.
“Roll Call” is an introductory exhibition of paintings by each artist, representing who they are as painters individually, and creating a visual dialogue between them collectively. The show, then, is a visual companion to the ongoing dialogue about painting that the group is having. Unexpected similarities and echoes arise from the installation, exposing the painters’ shared love of the medium while still presenting each of their very distinct artistic personalities. The exhibition is rich and rewarding for painters and those already familiar with the language of painting, as well as accessible and rewarding for the most casual, uninitiated viewer.
We are also proud to present, in collaboration with Martinez Gallery, “Soft Self” featuring new works by Santora artist and IPA member Julia Bass. Julia’s paintings are informed by her relationship to nature, with a process that brings printmaking, painting and collage together to create personal and emotionally affecting works with universal appeal.
The Painter's Room will feature an array of diverse exhibitions by artists outside of the IPA group. The space will also host an eclectic range of events and happenings, relating to but not limited to the practice and discourse of painting.
The Painter’s Room: “Roll Call”
Martinez Gallery: “Soft Self” New Works by Julia Bass
March 2 – March 31 2019
Story and photos submitted by The Painters Room
Santa Ana Secret Society is excited to announce an ART & DJ Pop-Up in the basement of the historic Santora Building during the March Artwalk. The event is in collaboration with the art collective IPA (Independent Painters Association) DTSA, who will be hosting exhibitions in the basement at The Painter's Room and Martinez Gallery.
Growing up in Santa Ana is special for the diversity of music that is heard all around the city. In that spirit, we've lined up an eclectic mix of DJs for our first Pop-Up in the basement. Artists include DJ Serrano, who will be spinning a metal mix, DJ CaliSalvi playing 1960’s and 1970’s classic rock and DJ Ayy.2 throwing down his collection of hip hop, dancehall, 90’s R&B, and house music. The Smiths and Morrissey will be in heavy rotation during DJ MachOMenos’ set interspersed with some new wave and post punk. DJ Agüita de Melón will set the pace with some cumbia records, including cuts from Acapulco Tropical, La Luz Roja de San Marcos, Rigo Tovar, La Luz Roja de Acapulco along with classic standards by Juan Gabriel, Los Tigres del Norte, and Garibaldi. And finally, DJ Bian_cuh will get the basement moving with some dance floor hits during her sets. All DJ’s will be playing vinyl only during the DTSA Artwalk, EL DISCO ES CULTURA.
Santa Ana Secret Society will also be hosting a merchandise booth with art prints, enamel pins, shirts, and original art. IPA DTSA will be hosting a group exhibition at The Painter's Room, and local artist, and IPA member, Julia Bass will be showing works at Martinez Gallery.
Story and photos provided by Santa Ana Secret Society
Santa Ana Arts News
News, opportunities and updates for the creative community.